Thursday, February 9, 2012

Not Perfect - Tim Minchen

This is my Earth
And I live in it
It’s one third dirt
And two thirds water
And it rotates and revolves through space
At rather an impressive pace
And never even messes up my hair
And here’s the really weird thing
The force created by its spin
Is the force that stops the chaos flooding in

This is my Earth
And it’s fine
It’s where I spend the vast majority of my time
It’s not perfect
But it’s mine
It’s not perfect

This is my country
And I live in it
It’s pretty big
And nice to walk on And the bloke who runs my country
Has built a demagoguery
And tought us to be fearful and boring
And the wierdest thing is that he is
Conservative of politics
But really rather radical of eyebrow

This is my country
And it’s fine
It’s where I spend the vast majority of my time
It’s not perfect
But it’s mine
It’s not perfect

This is my house
And I live in it
It’s made of cracks
And photographs
We rent it off a guy who bought it from a guy
Who bought it from a guy
Whose grandad left it to him
And the weirdest thing is that this house
Has locks to keep the baddies out
But they’re mostly used to lock ourselves in

This is my house
And it’s fine
It’s where I spend the vast majority of my time
It’s not perfect
But it’s mine
It’s not perfect
But it's mine

This is my body
And I live in it
It’s 31
And 6 months old
It’s changed a lot since it was new
It’s done stuff it wasn’t built to do
I often try to fill it up with wine
And the weirdest thing about it is
I spend so much time hating it
But it never says a bad word about me

This is my body
And it’s fine
It’s where I spend the vast majority of my time
It’s not perfect
But it’s mine
It’s not perfect

This is my brain
And I live in it
It’s made of love
And bad song lyrics
It’s tucked away behind my eyes
Where all my screwed up thoughts can hide
Cos God forbid I hurt somebody
And the weirdest thing about a mind
Is that every answer that you find
Is the basis of a brand new cliché

This is my brain
And it’s fine
It’s where I spend the vast majority of my time
It’s not perfect
But it’s mine
It’s not perfect
I’m not quite sure I’ve worked out how to work it
It’s not perfect
But it’s mine

-o0o-

Mitsubishi Colt - Tim Minchen

He looks at me intensely
Contact lens green with artifical envy
Cocks his head and fixes me with a condescending stare
Flicks his bleached, blond tipped hair
And theorises thus

You know what I reckon?
Pause for effect
Adjusts his tackle as if it’s semi-erect
I feel I’d better give him what I know he expects
What do you reckon?

A hand on the shoulder
An avuncular wink
Sips his lemon drink
Spits out the pips
Hands on hips
Licks his lips
Like a wolf near a flock
Yet again adjusting his fantasy cock
He delivers his philosophy

I reckon it don’t matter
It don’t mean squat
What you earn or what you got
Or the style of your hair
Or what you wear
It matters not

Like what do you care
That I live on a hill with views of the beach
That my chick and my dogs have an en-suite bathroom each
That I’ve already reached my first million and I’m only 26

You’re as thick as two bricks
If you think you can fix
What is broke in your life with money
And the funny thing is
And I shit you not
That I’d give it all up like that

He leaves me to ponder his wisdom for a bit
And with a click of his fingers
Beckons the blondest, bimbo-est barmaid
And grinning ridiculously
Orders a G and T
And a beer, for me
And before I can escape
He’s back saying

Cos mate, the thing is
All of that crap
It’s all superficial
It’s all just a front
Anyone can be a rich cunt
But the thing we all want
Can’t be bought with dosh
You know what I mean boss?
Cos you don’t give a toss
That when I want to get slim
I’ve got my own private gym
And a personal trainer called Danielle or Darlene
She’s got tits
Like those chicks
In Ralph magazine

And it’s not like you care
That I own the controlling share
Of an overseas company
That builds accounting software
It matters not one bit
I mean who gives a shit
That I earn six hundred grand
And drive a brand new land rover
You know I would hand it all over like that

He pauses for a beat
Long enough for me to retreat to a seat
And sit, elbow on the bar
And contemplate this guru
With his white teeth and big car
And ponder silently my belief
That genius comes in many a form
And that this postulating, peroxided porn-star prick ain’t one of them

My specultaion cut short
As he reforms
Like Terminator II
And before I have time to abort
He descends upon me and snorts

I guess what I’m trying to say
In my own little way
Is that I reckon that musos and artists and that
Well I reckon they’re great
I know some people reckon you guys just sit on your bums
And don’t get out of bed til the pizza man comes
And smoke cones
And take crack
And wack-off all day
But I don’t care what they say
And I don’t listen to people
Who say that all actors are gay
Not that I don’t think that’s OK
As far as I’m concerned
Although it’s not my bag
If you wanna be a fag
Be a fag y’know?
Who am I to say
Where you come
And where you go
In the privacy of your own homo
Ha ha
Homo
Ha ha
Homo
Ha ha
He’s shitting me now

And my eyes start to glaze
And through the haze of my anger
I notice his G and T is gone
And he’s starting to dribble
As he dribbles on and fucking on
But you musos are alright
I don’t know much about music
But I know what I like
And I reckon I’d throw it all in
To be like you Jim
I mean you might be poor in monetary terms
But what you earn spiritually
What makes you what you are
Just means so much more
Than what you earn from a really nice car
Or a tennis court
Or holidays in Greece
Or a house on the beach
Or stock market shares
Or twenty-one pairs
Of Calvin Klein undewear
Do you understand you are a wealthy, wealthy man
I mean I don’t want to piss in your pocket
But i’ve gotta say
Before I get on my way
That honestly, and I’m not having you on
I reckon on day you could play the piano as good as Elton John

The cops are still mingling
Though the crowd’s shuffled out
I’ve got ice on my hand
Where my fist met his mouth
And although I explained
That it wasn’t my fault
I’ve a five hundred buck fine
For aggravated assault
So before it gets worse
I reckon I’ll bolt
A wealthy, wealthy man
In a 1981 Mitsubishi Colt

-o0o-

Storm - Tim Minchen

Inner North London, top floor flat
All white walls, white carpet, white cat,
Rice Paper partitions
Modern art and ambition
The host’s a physician,
Lovely bloke, has his own practice
His girlfriend’s an actress
An old mate from home
And they’re always great fun.
So to dinner we’ve come. 


The 5th guest is an unknown,
The hosts have just thrown
Us together for a favour
because this girl’s just arrived from Australia
And has moved to North London
And she’s the sister of someone
Or has some connection.


As we make introductions
I’m struck by her beauty
She’s irrefutably fair
With dark eyes and dark hair
But as she sits
I admit I’m a little bit wary
because I notice the tip of the wing of a fairy
Tattooed on that popular area
Just above the derrière
And when she says “I’m Sagittarien”
I confess a pigeonhole starts to form
And is immediately filled with pigeon
When she says her name is Storm.


Chatter is initially bright and light hearted
But it’s not long before Storm gets started:
“You can’t know anything,
Knowledge is merely opinion”
She opines, over her Cabernet Sauvignon
Vis a vis
Some unhippily
Empirical comment by me


“Not a good start” I think
We’re only on pre-dinner drinks
And across the room, my wife
Widens her eyes
Silently begs me, Be Nice
A matrimonial warning
Not worth ignoring
So I resist the urge to ask Storm
Whether knowledge is so loose-weave
Of a morning
When deciding whether to leave
Her apartment by the front door
Or a window on the second floor.


The food is delicious and Storm,
Whilst avoiding all meat
Happily sits and eats
While the good doctor, slightly pissedly
Holds court on some anachronistic aspect of medical history
When Storm suddenly she insists
“But the human body is a mystery!
Science just falls in a hole
When it tries to explain the the nature of the soul.”


My hostess throws me a glance
She, like my wife, knows there’s a chance
That I’ll be off on one of my rants
But my lips are sealed.
I just want to enjoy my meal
And although Storm is starting to get my goat
I have no intention of rocking the boat,
Although it’s becoming a bit of a wrestle
Because - like her meteorological namesake -
Storm has no such concerns for our vessel:


“Pharmaceutical companies are the enemy
They promote drug dependency
At the cost of the natural remedies
That are all our bodies need
They are immoral and driven by greed.
Why take drugs
When herbs can solve it?
Why use chemicals
When homeopathic solvents
Can resolve it?
It’s time we all return-to-live
With natural medical alternatives.”


And try as hard as I like,
A small crack appears
In my diplomacy-dike.
“By definition”, I begin
“Alternative Medicine”, I continue
“Has either not been proved to work,
Or been proved not to work.
You know what they call “alternative medicine”
That’s been proved to work?
Medicine.”


“So you don’t believe
In ANY Natural remedies?”


“On the contrary actually:
Before we came to tea,
I took a natural remedy
Derived from the bark of a willow tree
A painkiller that’s virtually side-effect free
It’s got a weird name,
Darling, what was it again?
Masprin?
Basprin?
Asprin!
Which I paid about a buck for
Down at my local drugstore.


The debate briefly abates
As our hosts collects plates
but as they return with desserts
Storm pertly asserts,


“Shakespeare said it first:
There are more things in heaven and earth
Than exist in your philosophy…
Science is just how we’re trained to look at reality,
It can’t explain love or spirituality.
How does science explain psychics?
Auras; the afterlife; the power of prayer?”


I’m becoming aware
That I’m staring,
I’m like a rabbit suddenly trapped
In the blinding headlights of vacuous crap.
Maybe it’s the Hamlet she just misquothed
Or the eighth glass of wine I just quaffed
But my diplomacy dike groans
And the arsehole held back by its stones
Can be held back no more:


“Look , Storm, I don’t mean to bore you
But there’s no such thing as an aura!
Reading Auras is like reading minds
Or star-signs or tea-leaves or meridian lines
These people aren’t plying a skill,
They are either lying or mentally ill.
Same goes for those who claim to hear God’s demands
And Spiritual healers who think they have magic hands.


By the way,
Why is it OK
For people to pretend they can talk to the dead?
Is it not totally fucked in the head
Lying to some crying woman whose child has died
And telling her you’re in touch with the other side?
That’s just fundamentally sick
Do we need to clarify that there’s no such thing as a psychic?


What, are we fucking 2?
Do we actually think that Horton Heard a Who?
Do we still think that Santa brings us gifts?
That Michael Jackson hasn’t had facelifts?
Are we still so stunned by circus tricks
That we think that the dead would
Wanna talk to pricks
Like John Edwards?


Storm to her credit despite my derision
Keeps firing off clichés with startling precision
Like a sniper using bollocks for ammunition


“You’re so sure of your position
But you’re just closed-minded
I think you’ll find
Your faith in Science and Tests
Is just as blind
As the faith of any fundamentalist”


“Hm that’s a good point, let me think for a bit
Oh wait, my mistake, it’s absolute bullshit.
Science adjusts it’s beliefs based on what’s observed
Faith is the denial of observation so that Belief can be preserved.
If you show me
That, say, homeopathy works,
Then I will change my mind
I’ll spin on a fucking dime
I’ll be embarrassed as hell,
But I will run through the streets yelling
It’s a miracle! Take physics and bin it!
Water has memory!
And while it’s memory of a long lost drop of onion juice is Infinite
It somehow forgets all the poo it’s had in it!


You show me that it works and how it works
And when I’ve recovered from the shock
I will take a compass and carve Fancy That on the side of my cock.”


Everyones just staring at me now,
But I’m pretty pissed and I’ve dug this far down,
So I figure, in for penny, in for a pound:


“Life is full of mystery, yeah
But there are answers out there
And they won’t be found
By people sitting around
Looking serious
And saying isn’t life mysterious?
Let’s sit here and hope
Let’s call up the fucking Pope
Let’s go watch Oprah
Interview Deepak Chopra


If you’re going to watch tele, you should watch Scooby Doo.
That show was so cool
because every time there’s a church with a ghoul
Or a ghost in a school
They looked beneath the mask and what was inside?
The fucking janitor or the dude who runs the waterslide.
Throughout history
Every mystery
Ever solved has turned out to be
Not Magic.


Does the idea that there might be truth
Frighten you?
Does the idea that one afternoon
On Wiki-fucking-pedia might enlighten you
Frighten you?
Does the notion that there may not be a supernatural
So blow your hippy noodle
That you would rather just stand in the fog
Of your inability to Google?


Isn’t this enough?


Just this world?


Just this beautiful, complex
Wonderfully unfathomable, NATURAL world?
How does it so fail to hold our attention
That we have to diminish it with the invention
Of cheap, man-made Myths and Monsters?
If you’re so into Shakespeare
Lend me your ear:
“To gild refined gold, to paint the lily,
To throw perfume on the violet… is just fucking silly”
Or something like that.
Or what about Satchmo?!
I see trees of Green,
Red roses too,
And fine, if you wish to
Glorify Krishna and Vishnu
In a post-colonial, condescending
Bottled-up and labeled kind of way
Then whatever, that’s ok.
But here’s what gives me a hard-on:
I am a tiny, insignificant, ignorant lump of carbon.
I have one life, and it is short
And unimportant…
But thanks to recent scientific advances
I get to live twice as long 
As my great great great great uncleses and auntses.
Twice as long to live this life of mine
Twice as long to love this wife of mine
Twice as many years of friends and wine
Of sharing curries and getting shitty
With good-looking hippies
With fairies on their spines
And butterflies on their titties.


And if perchance I have offended
Think but this and all is mended:
We’d as well be 10 minutes back in time,
For all the chance you’ll change your mind.


-o0o-

Wednesday, February 8, 2012

Kitchenette Building - Gwendolyn Brooks - 1963

We are things of dry hours and the involuntary plan,
Grayed in, and gray. “Dream” makes a giddy sound, not strong
Like “rent,” “feeding a wife,” “satisfying a man.”

But could a dream send up through onion fumes
Its white and violet, fight with fried potatoes
And yesterday’s garbage ripening in the hall,
Flutter, or sing an aria down these rooms

Even if we were willing to let it in,
Had time to warm it, keep it very clean,
Anticipate a message, let it begin?

We wonder. But not well! not for a minute!
Since Number Five is out of the bathroom now,
We think of lukewarm water, hope to get in it.

-o0o-
For Audio

50/50 - Langston Hughes

I’m all alone in this world, she said,
Ain’t got nobody to share my bed,
Ain’t got nobody to hold my hand—
The truth of the matter’s
I ain’t got no man.

Big Boy opened his mouth and said,
Trouble with you is
You ain’t got no head!
If you had a head and used your mind
You could have me with you
All the time.

She answered, Babe, what must I do?

He said, Share your bed—
And your money, too.

-o0o-

Acceptance - Langston Hughes

God in His infinite wisdom
Did not make me very wise-
So when my actions are stupid
They hardly take God by surprise

-o0o-

Monday, February 6, 2012

Instructions - Neil Gaiman


Touch the wooden gate in the wall you never
saw before.
Say "please" before you open the latch,
go through,
walk down the path.
A red metal imp hangs from the green-painted
front door,
as a knocker,
do not touch it; it will bite your fingers.
Walk through the house. Take nothing. Eat
nothing.
However, if any creature tells you that it hungers,
feed it.
If it tells you that it is dirty,
clean it.
If it cries to you that it hurts,
if you can,
ease its pain.

From the back garden you will be able to see the
wild wood.
The deep well you walk past leads to Winter's
realm;
there is another land at the bottom of it.
If you turn around here,
you can walk back, safely;
you will lose no face. I will think no less of you.

Once through the garden you will be in the
wood.
The trees are old. Eyes peer from the under-
growth.
Beneath a twisted oak sits an old woman. She
may ask for something;
give it to her. She
will point the way to the castle.
Inside it are three princesses.
Do not trust the youngest. Walk on.
In the clearing beyond the castle the twelve
months sit about a fire,
warming their feet, exchanging tales.
They may do favors for you, if you are polite.
You may pick strawberries in December's frost.
Trust the wolves, but do not tell them where
you are going.
The river can be crossed by the ferry. The ferry-
man will take you.
(The answer to his question is this:
If he hands the oar to his passenger, he will be free to
leave the boat.
Only tell him this from a safe distance.)

If an eagle gives you a feather, keep it safe.
Remember: that giants sleep too soundly; that
witches are often betrayed by their appetites;
dragons have one soft spot, somewhere, always;
hearts can be well-hidden,
and you betray them with your tongue.

Do not be jealous of your sister.
Know that diamonds and roses
are as uncomfortable when they tumble from
one's lips as toads and frogs:
colder, too, and sharper, and they cut.

Remember your name.
Do not lose hope — what you seek will be found.
Trust ghosts. Trust those that you have helped
to help you in their turn.
Trust dreams.
Trust your heart, and trust your story.
When you come back, return the way you came.
Favors will be returned, debts will be repaid.
Do not forget your manners.
Do not look back.
Ride the wise eagle (you shall not fall).
Ride the silver fish (you will not drown).
Ride the grey wolf (hold tightly to his fur).

There is a worm at the heart of the tower; that is
why it will not stand.

When you reach the little house, the place your
journey started,
you will recognize it, although it will seem
much smaller than you remember.
Walk up the path, and through the garden gate
you never saw before but once.
And then go home. Or make a home.
And rest.

-o0o-

The Age Demanded - Earnest Hemingway - 1922


The age demanded that we sing
And cut away our tongue.

The age demanded that we flow
And hammered in the bung.

The age demanded that we dance
And jammed us into iron pants.

And in the end the age was handed
The sort of shit that it demanded.

A Silly Poem - Spike Millegan


Said Hamlet to Ophelia,
I'll draw a sketch of thee,
What kind of pencil shall I use?
2B or not 2B?

-o0o-

Phenomenal Woman - Maya Angelou


Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care.
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

-o0o-

Because I could not stop for Death - Emily Dickenson

Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.

We slowly drove, he knew no haste,
And I had put away
My labour, and my leisure too,
For his civility.

We passed the school where children played,
Their lessons scarcely done;
We passed the fields of gazing grain,
We passed the setting sun.

We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.

Since then 'tis centuries; but each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.

-o0o-

The Howler - H.P. Lovecraft


They told me not to take the Briggs’ Hill path
That used to be the highroad through to Zoar,
For Goody Watkins, hanged in seventeen-four,
Had left a certain monstrous aftermath.
Yet when I disobeyed, and had in view
The vine-hung cottage by the great rock slope,
I could not think of elms or hempen rope,
But wondered why the house still seemed so new.

Stopping a while to watch the fading day,
I heard faint howls, as from a room upstairs,
When through the ivied panes one sunset ray
Struck in, and caught the howler unawares.
I glimpsed—and ran in frenzy from the place,
And from a four-pawed thing with human face.

-o0o-

The Everlasting Gospel (introduction) - William Blake

The vision of Christ that thou dost see
Is my vision’s greatest enemy.
Thine has a great hook nose like thine;
Mine has a snub nose like to mine.
Thine is the Friend of all Mankind;
Mine speaks in parables to the blind.
Thine loves the same world that mine hates;
Thy heaven doors are my hell gates.
Socrates taught what Meletus
Loath’d as a nation’s bitterest curse,
And Caiaphas was in his own mind
A benefactor to mankind.
Both read the Bible day and night,
But thou read’st black where I read white.

-o0o-

Advice to a Son - Ernest Hemingway


Never trust a white man,
Never kill a Jew,
Never sign a contract,
Never rent a pew.
Don't enlist in armies;
Nor marry many wives;
Never write for magazines;
Never scratch your hives.
Always put paper on the seat,
Don't believe in wars,
Keep yourself both clean and neat,
Never marry whores.
Never pay a blackmailer,
Never go to law,
Never trust a publisher,
Or you'll sleep on straw.
All your friends will leave you
All your friends will die
So lead a clean and wholesome life
And join them in the sky.

-o0o-

Sunday, February 5, 2012

The Raven - Edgar Allan Poe - 1845


Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`'Tis some visitor,' I muttered, `tapping at my chamber door -
Only this, and nothing more.'

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels named Lenore -
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
`'Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more,'

Presently my soul grew stronger; hesitating then no longer,
`Sir,' said I, `or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you' - here I opened wide the door; -
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, `Lenore!'
This I whispered, and an echo murmured back the word, `Lenore!'
Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
`Surely,' said I, `surely that is something at my window lattice;
Let me see then, what thereat is, and this mystery explore -
Let my heart be still a moment and this mystery explore; -
'Tis the wind and nothing more!'

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
`Though thy crest be shorn and shaven, thou,' I said, `art sure no craven.
Ghastly grim and ancient raven wandering from the nightly shore -
Tell me what thy lordly name is on the Night's Plutonian shore!'
Quoth the raven, `Nevermore.'

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning - little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door -
Bird or beast above the sculptured bust above his chamber door,
With such name as `Nevermore.'

But the raven, sitting lonely on the placid bust, spoke only,
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered - not a feather then he fluttered -
Till I scarcely more than muttered `Other friends have flown before -
On the morrow he will leave me, as my hopes have flown before.'
Then the bird said, `Nevermore.'

Startled at the stillness broken by reply so aptly spoken,
`Doubtless,' said I, `what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful disaster
Followed fast and followed faster till his songs one burden bore -
Till the dirges of his hope that melancholy burden bore
Of "Never-nevermore."'

But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore -
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking `Nevermore.'

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
`Wretch,' I cried, `thy God hath lent thee - by these angels he has sent thee
Respite - respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!'
Quoth the raven, `Nevermore.'

`Prophet!' said I, `thing of evil! - prophet still, if bird or devil! -
Whether tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted -
On this home by horror haunted - tell me truly, I implore -
Is there - is there balm in Gilead? - tell me - tell me, I implore!'
Quoth the raven, `Nevermore.'

`Prophet!' said I, `thing of evil! - prophet still, if bird or devil!
By that Heaven that bends above us - by that God we both adore -
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels named Lenore -
Clasp a rare and radiant maiden, whom the angels named Lenore?'
Quoth the raven, `Nevermore.'

`Be that word our sign of parting, bird or fiend!' I shrieked upstarting -
`Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! - quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!'
Quoth the raven, `Nevermore.'

And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted - nevermore!

-o0o-

A New Blog for Other People's Poetry

So, if you are an avid reader (you lucky 3 people out there), who reads my poetry. Perhaps you will be curious about where it is that genius such as mine goes for inspiration. Well this blog is really a tribute to the poetry of other people that have inspired me deeply and touched on my work as an artist, a poet and a musician.

If you are not aware of my work, please see my main site : http://aplaceformypoetry.blogspot.com/

Love and Cookies
Charl

-o0o-

Prospero in the Tempest - William Shakespeare 1610–11

I had perhaps never imagined that I would enjoy another Shakespeare play as much as I did Midsummer Night's Dream, however I just watched The Tempest with Helen Mirren playing Prospera (the feminized version of Shakespeare's Prospero), and two speeches, one delivered by Mirren and one as sung in the credits of the film really moved me.

The Tempest Act V Scene i

[Prospero]
Ye elves of hills, brooks, standing lakes, and groves;
And ye that on the sands with printless foot
Do chase the ebbing Neptune, and do fly him
When he comes back; you demi-puppets that
By moonshine do the green sour ringlets make,
Whereof the ewe not bites; and you whose pastime
Is to make midnight mushrooms, that rejoice
To hear the solemn curfew; by whose aid-
Weak masters though ye be-I have be-dimm'd
The noontide sun, call'd forth the mutinous winds,
And 'twixt the green sea and the azur'd vault
Set roaring war. To the dread rattling thunder
Have I given fire, and rifted Jove's stout oak
With his own bolt; the strong-bas'd promontory
Have I made shake, and by the spurs pluck'd up
The pine and cedar. Graves at my command
Have wak'd their sleepers, op'd, and let 'em forth,
By my so potent art. But this rough magic
I here abjure; and, when I have requir'd
Some heavenly music-which even now I do-
To work mine end upon their senses that
This airy charm is for, I'll break my staff,
Bury it certain fathoms in the earth,
And deeper than did ever plummet sound
I'll drown my book.



The Tempest Epilogue

[Prospero]
Now my charms are all o'erthrown,
And what strength I have's mine own,
Which is most faint: now, 'tis true,
I must be here confined by you,
Or sent to Naples. Let me not,
Since I have my dukedom got
And pardon'd the deceiver, dwell
In this bare island by your spell;
But release me from my bands
With the help of your good hands:
Gentle breath of yours my sails
Must fill, or else my project fails,
Which was to please. Now I want
Spirits to enforce, art to enchant,
And my ending is despair,
Unless I be relieved by prayer,
Which pierces so that it assaults
Mercy itself and frees all faults.
As you from crimes would pardon'd be,
Let your indulgence set me free.

-o0o-